Niko IDENTIFIKASI RAGAM HIAS ACEH PADA ILUMINASI MUSHAF AL-QURAN KUNO KOLEKSI PEDIR MUSEUM

Abstract

Illumination or manuscript (the art of the book), can be interpreted as a decorative visual work that is contained
in the manuscript that serves as a decoration. Basically used to beautify certain parts, especially on the
front page of the script (frontispiece). In ancient manuscripts by Acehnese scholars, various forms of illumination
were adopted which adopted the local Acehnese decorative style. The beauty of the illumination in the
treasures of ancient manuscripts by Acehnese ulama, especially those contained in the Al-Quran Manuscripts
compiled into a collection of non-governmental institutions (private) in the city of Banda Aceh at this time has
not been fully touched by studies that lead to visual aspects. Both in terms of comprehensive data collection
to in-depth analysis in the perspective of fine arts. This study aims to examine the visual aspects that focus on
the variety of Aceh’s decoration on illuminations in several Al-Quran Manuscripts from the Pedir Museum
collection. This research uses quantitative research methods, using data collection techniques through observation,
interviews, documentation, and data collection. The data that has been collected is then carried out the
process of identifying, categorizing, and analyzing the data by using the digitizing method of ornamental
diversity in several Al-Quran Manuscripts from the Banda Aceh Pedir Museum collection.