Satriana Didiek Isnanta MAKNA LORO BLONYO DAN DEFORESTASI DALAM PENCIPTAAN KARYA SENI INTERMEDIA

Satriana Didiek Isnanta; Much. Sofwan Zarkasi; Asmoro Nurhadi Panindias

doi:10.33153/semhas.v2i0.114

Satriana Didiek Isnanta Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta
Much. Sofwan Zarkasi Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta
Asmoro Nurhadi Panindias Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

DOI: https://doi.org/10.33153/semhas.v2i0.114

Keywords: intermedia art, interdiscipline, experimentation, loro blonyo, national identity.

Abstract

This research was designed as an experimental study of intermedia art creation based research by reinterpreting
the loro blonyo statue as a source of ideas for creating works. Loro Blonyo is a pair of wooden sculptures
consisting of a female statue and accompanied by a man wearing a Javanese traditional wedding dress in a
sitting position. Broadly, the meaning of the Loro Blonyo statue for the Javanese people is the unity of the
couple as a reflection of the harmony of the Javanese mind and harmony. The meaning of the loro blonyo
statue is then analyzed, elaborated and reinterpreted. This research is an artistic study with a focus on the
study of the creation of intermedia art creation using various media based on conceptual thinking with an
interdisciplinary approach. The purpose of this creation is to create a multi-media installation art that uses
visual, motion and sound elements. This artistic research method uses Dharsono’s Creative Creation (2016):
research with are ethic and emic approach, exploration, experimentation and formation approach. The results
of the research were concluded and became the basis for the concept of space-based intermedia artwork,
namely multi-media installation art with a visual form of local culture as a strengthening of national identity.