Agustina Kusuma Dewi TRANSPOSISI KREATIF ‘GERAK’ DALAM FILM SEBAGAI IDENTITAS KULTURAL PADA ERA MULTILITERASI DIGITAL Studi Kasus Film ‘Setan Jawa’ Karya Garin Nugroho

Abstract

Technology change the way of thinking, how people access information also influence process to spread and
share information in various media, including film, an art that plays images and screen technology. In the film,
‘movement’ is a changing position of an object. Accelerating technology constructed’movement’ becomes an
important keyword that needs to be presented in every communication channel. ‘Setan Jawa’ Film by Garin
Nugroho with Gamelan Orchestra composed by Rahayu Supanggah, was released in Indonesia in 2016 in
Jakarta and still scheduled to tour the world until 2020. Combines a variety of collaborative art, design and
technology—‘Setan Jawa’ creating a multiliterated communication channel that has possibilities to become a
medium society cultural education. In this film, ‘movement’ becomes a sign constructed by creative transposition
of narratives in various arts, including puppets. Using a case study approach and documentation analysis,
referring to the results of Roger Long’s research (1979), this research aims to identify creative forms of
puppet’s ‘movement’ transposition in the film ‘Setan Jawa’ as cultural identity, a finding that in the Industrial Era
4.0; through multiliteration digital, process of cultural discourseto society could be done through a variety
vehicle of signs.